> Einstellungs-Nr.
XX-24
> Einstellungs-Nr.
XX-24
> Einstellungs-Nr.
XX-24

Einstellungs-Nr. XX-24

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Action
[We show Reri still peeping
through the leaves, and shout-
ing in the direction from where
she expects Matahi to come,
when, unnoticed by her, he
approaches very close to her,
but from nearly the opposite
direction to that which she
expects. He steals close to
her to surprise her, while she
is still calling for him, more
eagerly than ever. He has
crept up close to her on all
fours and now stands behind he[?]
while she leans further forwar[?]
parding the leaves, so that n[?]
we see her nude body. She i[?]
still calling for him. Uns[?]
by her, laughing he stan[?]
back of her. Suddenly be[?]
down, very tenderly he pu[?]
his arms around her. Sh[?]
screams with delight an[?]
go the taro leaves, so [?]
only see now how he b[?]
head to his, and how [?]
she lets herself be [?]
kissed, which he do[?]
utmost tenderness.
Bemerkungen
Matahi:
Brown pareu, worn like pants..
tiare wreath ...
wreath must show signs
of wear from his slide
down cascade. His hair
must be wet
Kommentar
Die rote Handschrift lässt sich keinem Autor eindeutig zuordnen. Der rote Doppelstrich verbindet die Seiten 16 bis 23 des Drehbuchs und kennzeichnet das Thema „Bora“ (siehe Drehbuch-Seite 23).
Typ
Current continuity
Datensatz-Nr.
CON-71
Paginierung
8
Paginierung Deutsche Kinemathek
16
Temporary Slate No.
XX-24